In this chapter, Horsselenberg turns the camera on herself and challenges her artistic process during a photographic journey through Sardinia. Using an analog camera, she captures self-portraits in remote, natural landscapes—isolated and raw.
Disappointed with the initial results after developing the film, she began scanning and enlarging fragments of the negatives. In a spontaneous moment, she photographed her computer screen, unintentionally introducing a moiré effect. This unexpected glitch added a shimmering layer to the images—something spiritual, free, and otherworldly.
The result is a series of self-portraits and details that shift from figurative to abstract, radiating both rawness and bliss. This playful, intuitive approach reflects Horsselenberg’s identity as an image-maker—embracing imperfection and experimentation in search of deeper meaning.